... Epilogue (2010–11), which translates every moon the artist's father saw in his life, ran through the entrance of the second gallery (the NGMA's new wing). They share not simply a physical space, but a state of being – sleep – wherein physical scale has been made irrelevant. As early as in 1999, Canis Familiaris-A Dog’s Life proclaimed his preferred iconography of the urban working class. Jitish Kallat Now, one of India’s most globally-recognised artists, Mumbai-based Kallat’s work is characterised by a deep socio-political awareness. Kallat is represented by gallery Nature Morte and his exhibit opens on 10th January during the Mumbai Gallery Weekend. Kallat guides people through the path he has created with false walls, where onlookers are surrounded with the lunar landscapes. I have already told you yesterday what I had to say. 1974) is one of the most dynamic and exciting contemporary artists working today. 1974) Universal Recipient 1 acrylic on canvas; two bronze sculptures canvas: 249 x 173 cm. Jitish Kallat is a contemporary Indian is a painter, sculptor, photographer, and installation artist best known for work that celebrates the city of Mumbai. Spread across 753 prints, the repeated circular forms of a roti, a type of Indian bread, mimic the lunar cycle. “Scale is merely one of the many tools one can deploy in the creation of meaning. Jitish Kallat has participated all major shows about Indian art: India: Art Now at Arken Museum, Ishoij, Denmark, 2012-13, ... Related Press Jitish Kallat’s long meditation on life and death in the city 9 February 2017, Apollo Magazine. In his ongoing solo, “The Infinite Episode”, at Galerie Templon, Paris, the 41-year-old brings together a suite of new drawings, video, sculptures and photo-pieces themed on time, sustenance, and evocations of the celestial. Kallat calls museum shows a “happy coincidence”, but the fact is that there are very few art galleries, particularly in India, that can accommodate the immense scale of his works, some of which span 200 feet. Jitish Kallat IMAGES FLICKER ACROSS the expanse of a wide round table, appearing, dissolving and re-appearing as if responding to the viewer’s presence, as if activated by their gaze. Like unravelling an onion, every layer holds a meaning that leads us to the truth of the space that we inhabit. Co-presented by Nature Morte, New Delhi and Chemould Prescott Road, Mumbai. JITISH KALLAT (b. Continuing his interest in the epistolary mode, Kallat will exhibit a new project titled Covering Letter (terranum nuncius) (2019) alongside his widely exhibited Covering Letter (2012). Jitish Kallat (Indian, b.1974) is a painter, sculptor, photographer, and installation artist best known for work that celebrates the city of Mumbai, using a visual language derived from popular advertising. Kallat reminds viewers of life’s natural ebb and flow and of the things that nourish us—bread, the staff of life; family; celestial rhythms. Placed on a large round table, these images were decoded by Ron Barry, a US-based software engineer, from images that were encrypted as sound onto the Golden Record. They seem dated and somewhat mysterious; pages from anatomy books, images of earth’s spherical exterior, illustrations of DNA structure, excerpts of some of the world’s more famous architectural marvels. 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